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Articles—

We believe that all peoples of the world are precious resources, all ways of life are worthy of preserving, and all ways of knowing add value to our well being. The information in the articles that follow illustrates these beliefs and show why the issues that face first peoples of the world are important issues for everyone.

Now is the Time, by John Broomfield

Diversity has intrinsic beauty and is the source of creativity. We must cherish and nurture diversity in landforms, life forms, cultures, ways of knowing and styles of expression. As Charles Darwin revealed long ago, organic diversity protects life by providing flexibility for evolutionary adaptation in perpetually changing eco-systems. Cultural diversity is equally indispensable as a pool of alternative codes of human existence.

"No single culture or ideology can bring salvation to the earth," declares philosopher Raimundo Pannikar. There are still many around the world who would dispute this, and fundamentalism in religion and science is their response to a growing apprehension of civilizational crisis. Fortunately, there are many others whose response to the same sense of crisis is an increased awareness and sensitivity to cultural diversity and a recognition of the rich resources available to humanity from this varied pool of experience. There is a growing willingness to explore other ways of knowing to reconnect to older human wisdom.

This occurs at a time of reassertion of indigenous traditions long suppressed by European and American imperialism and obscured in more recent decades in the shadow of Western techno-science. Colonized peoples such as Native Americans, Siberians, Polynesians, Aboriginal Australians and Africans are reviving suppressed shamanic and similar spiritual practices. There is a resurgence of the teaching of this lore to the new generation and a willingness, in some instances, to instruct outsiders as well.

In entering into their understandings of reality—their medicine—we are being offered, along with spiritual learning, an opportunity for the healing needed in a number of areas. One is between us and these indigenous peoples, on whom our ancestors, during the European and American expansion, attempted genocide or at least ethnocide, the extermination of cultures. Healing is needed also in our collective psyche, where we bear the suppressed wound of the guilt of this ancestral racial crime.

A third is between ourselves and nature, which we of the modern West similarly have attempted to dominate and exploit. In place of our objectified, materialist view of the earth, the way of the shaman offers a spirit connection with all animate and inanimate forms. It teaches us to preserve "the Song of the Land, the Spirit and Flesh of the Ancestors," as Aboriginal Australians know it. It teaches us to honor the souls of the great winds and the waters. It teaches us to walk softly with respect among our green relatives, the trees; and to listen to the feathered friends, the four-, six- and eight-footed, and all the other companions who crawl and swim. "Mitakuye oyasin, to all my relations," Lakota Sioux say with reverence.

The great good news the shamans bring is that we are not alone. On a planet that is everywhere alive, conscious and inspirited, humans have many wise allies for counsel and aid, if we are prepared to listen. Native American tradition says that ancient wisdom must be maintained "until Earth's children grow Listening Ears." The great Oglala Sioux shaman Black Elk prophesied that it was the fifth generation that would grow Listening Ears. Black Elk was born in 1863. Reckoned from that date, the time of the fifth generation is now.

First Day on the Tel Sheva Farm, by Sara, Bustan volunteer

The sun shines unconditonally this morning spreading light and bringing me a message of what it truly means to renew.  Hope lingers everywhere and sings loudest in each bit of plastic peeled away from the earth; leaving a gush of thanksgiving from the land left breathing more easily now again exposed to the elements—the earth's restoration in the simplest of actions.  Today, prayer happens each time I bend over to pick up a piece of garbage.  I am bowing before the most High One and reciting a devotional mantra of energy and heart to the Earth.

Here the land quiets all my fears, my doubts, soothes the tension stored in the people—the repression so overwhelming, the politics of hierarchy like the heaviest stones.  All of it I feel and sense and read in the space in between words I cannot understand.  Somehow these doubts, which walked with me along the garbage strewn roads to the farm, disappeared almost immediately after arriving here.  Here, where the birds still sing despite decades of neglect, where they sing sweetly as they do along the periphery of any bit of land where there is love between humans and soil.

The land is universal.  So this land is mine too and it is my mess I clean and our seeds I plant.  To love the web without borders is to truly weave one's self into it.

I now know what it means to have vision.  To have vision means to be able to see beyond that which lies strewn and broken in all directions, to the place where all is possible.

The long groan and drone of camels in the distance re-awakens me—pulling me back into prayer, back into work—as the song of the roosters on the streets of early morning ushered me into this holy day.

Finding a Sense of Home, by Judith Hamilton

It is more and more uncommon for modern people to be from a particular landscape. Rootless, we move from place to place as though the land in which we live is virtually disposable and certainly interchangeable. This dissemination reveals the fundamental instability and spiritual blindness of modern civilization. With mercantilist mentalities, as modern Americans we believe one can buy and sell everything. But for American Indian cultures, existence in this world is a spiritual pilgrimage, and the landscape itself is spiritual.

To rediscover the spiritual landscape surrounding us, we must first realize our role in that landscape as spiritual pilgrims. A pilgrim is one who goes on a journey to a holy land, to a sacred land, and from the time of the first European settlers, America was seen as a New Jerusalem, as a new holy land, as a potential paradise, to which the Europeans were pilgrims. Unfortunately, this sense of pilgrimage—of making a journey to a holy land—quickly was converted into a desire to conquer, to own. But by definition, no one can own a pilgrimage. Rather, such a place gives freely to all.

In the spirituality of the American Indians, one is irrefutably from a particular spiritual landscape, and to be separated from that place is to be separated from one’ s spiritual origin. The Pottawatomi were driven from the Great Lakes to Kansas several generations ago, but the elders still speak of their homeland by the Great Lakes. So too, if you speak of home to a dislocated Puebloan, she will speak of the open horizon she has lost. If you speak to a dislocated Macaw, he will speak of the great trees of home. This homesickness is a spiritual homesickness. Dislocation is in many ways the most destructive of the means to destroy the spirituality…of all peoples.

To be born of a particular spiritual landscape, to be a pilgrim within it, means that one travels through life as through the landscape. One’s purpose on earth is not to own or control the natural world, but to deepen one’s character and to realize spiritual truth in one’s own life. (Gallagher, Winifred. The Power of Place: How our Surroundings Shape Our Thoughts, Emotions, and Actions. New York: Poisedon, 1993. pp. 201-214 and Casey, Edward S. Getting Back Into Place: Toward a Renewed Understanding of the Place-World. Bloomington: Indiana UP, 1993. pp. 22-39.)

Before contact with the Europeans, American Indians’ lives were bathed in the light of divine revelation as it is manifested throughout the virgin landscape. The ritual symbols of lightning and otter, bear and turtle, hawk and deer, mountains and waters, remind people of their origin. To sing a sacred song, to dance a sacred dance, to wear sacred clothing, to make a sacred journey—all these things and all the actions of daily life as well—in the end remind us that we are all beings made of the landscape. The meaning of tribal culture is not just that indigenous peoples and the earth are one; it is that both humanity and earth have a spiritual origin and meaning. There is a mysterious unity between people and their landscape, between people and the creatures around them. This unity is of a subtle kind, not easily explained. But understanding it is essential if we are to find a sense of home. (Momaday, N. Scott. Man Made of Words. New York: St. Martin’s Griffin, 1997. pp. 118-123 and Tinker, George E, Clara Sue Kidwell, and Homer Noley. A Native American Theology. Maryknoll: Orbis, 2003. pp.140-148.)

Attachment to the homeland is a common human emotion. Its strength varies among different cultures and historical periods. The more ties there are, the stronger is the emotional bond through ceremony, ritual, language, and the understanding of community. Landscape is the home of ancestors, the dreaming place where every incident in legend and myth is firmly fixed in some unchanging aspect of nature—rocks, hills and mountains, even trees, for trees can outlive human generations or homeland for animals. (Momaday, N. Scott. Man Made of Words. New York: St. Martin’s Griffin, 1997. pp. 113-117 and Tinker, George E, Clara Sue Kidwell, and Homer Noley. A Native American Theology. Maryknoll: Orbis, 2003. pp.126-129.)

Storied landscapes are surely not unique to the American Indian. Storied places are elaborately woven together on a cultural loom that joins every detail of the landscape within a given community of memory. If we omit the storied experience of the place, we lose the power it exercises on the imagination. (Lane, Belden C. Landscapes of the Sacred. Baltimore: John Hopkins UP, 2001. p. 59.)

In the belief systems of many of the American Indian peoples, the earthly call is the voice of God, the creative power that lives on and inside the earth. (Deloria, Vine Jr. God is Red. Golden: Fulcrum, 1992. pp. 88-89). American Indian peoples must not be the only ones who remember the agreement with the land, the sacred pact to honor and care for the life that, in turn provides for us. At the beginning, there was nothing and something came from it. It is the mystery of the limestone floor of sea that rose up to become land. (Momaday, N. Scott. Man Made of Words. New York: St. Martin’s Griffin, 1997. pp. 127-131).

“The search may begin with a restless feeling, as if one were being watched. One turns in all directions and sees nothing. Yet one senses that there is a source for this deep restlessness; and the path that leads there is not a path to a strange place, but the path home . . .”
Peter Matthiessen, Author

Restoring Life’s Fabric: The Biological Bottom Line (excerpt from), by David Suzuki

In the late 1970s I decided to do a film about the long battle over logging on the Queen Charlotte Islands, ancestral land of the Haida. I interviewed loggers, politicians, CEOs of forest companies, and environmentalists, one of whom was a Haida activist who had led the battle against logging for many years. I asked him: “You’ve got over 80 percent unemployment in your community. Many of the loggers are Haida, and the non-Haida loggers shop in your stores, helping your community economically. So why are you against the logging?” He answered: “Once the trees are gone, we won’t be Haida anymore. We’ll just be like everybody else.” It was only later that I realized that he had opened a window for me on a radically different way of looking at the world. What he was saying was that the Haida don’t end at their skin or their fingertips. The trees, fish, air, and water are all part of what makes the Haida who they are. The land embodies their history, their culture. The very reason why Haida are on this Earth is told to them by their connection with the land.

And ever since then I’ve been a student, privileged to travel to many Indigenous communities around the world, and even in the most impoverished, dysfunctional communities there is a palpable sense of a need to remain connected to the land. Aboriginal people around the world refer to the Earth as our mother and say it gives us birth by creating us from the four sacred elements: earth, air, fire, and water. Throughout time, people have understood that we were deeply embedded in the natural world and dependent on it. Our songs, our stories, our dances told of that relationship, celebrating where we were, where we belonged on this planet and our need to act in the proper way to keep the creator’s gift to us abundant and productive. We’ve forgotten that in a very short period of time, and now people like me have to rediscover it and learn from Indigenous teachers.

As I reflected on what I’d learned, I realized that we’ve framed the environmental problem incorrectly. There is no environmental problem out there that we’ve got to regulate our interaction with. We are part of the environment. What we do to our surroundings, we do directly to ourselves.

© David Suzuki. Reprinted from Bioneers Letter, Fall/Winter 2004, Vol. VII, No. II, page 9-10.


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Preserving Our Collective Human Heritage, by John Mohawk

Native American studies as a discipline proposes that there is an intelligence in the cultures of the indigenous people of the Americas. That intelligence is crucial to the survival of humanity today.

I would recommend that you go on the internet and point your browser to the key word “snowball Earth.” Web sites will come up with a discussion about the belief by scientists that there was a time 600 million years ago when the whole of the planet was covered with deep ice. It goes on to state that the big question they’ve had was: How did the Earth escape the ice? The answer, they think, was that volcanoes erupted over millions of years and spewed forth what we now call greenhouse gases. Those gases eventually heated up the Earth, the Earth melted the ice, and we began to have the whole process of life kick into gear. There was a great flourish of evolution that took place in the millions of years following the meltdown, and we can almost imagine what the world might have looked like so long ago.

Then came another moment when it is believed that our species originated and radiated outward from somewhere. It reached a point where there were enough people concentrated in some areas that is was no longer possible for hunter-gatherers to just keep radiating. Something must have happened, and our best bet is that it was climate change—probably a more arid climate that forced people to consider trying to control their own food supply.

What happened was that we chose to domesticate plants, but domesticating plants has problems. For one thing, you can domesticate only the plants that allow themselves to be domesticated. That means that, of the 100 or so plants that you were used to eating, only three or four subjected themselves very well to domestication. So you’ve actually reduced your choices of what to eat, as a desperate measure, because there wasn’t enough food to eat.

But it then turns out that the foods that you plant in your garden also have their own agenda, as all plants do. The plants act in their own best interest. Plants, generally speaking, produce chemicals in their bodies intended to keep them from being eaten. Even the domesticated plants did that. So not only did we not necessarily get the best plants, but we were also domesticating ones that sometimes had defensive mechanisms that made them not the perfect food for humans, as evidenced by food allergies many people have to wheat or corn, for example.

Our species survived because we inhabited new environments. We learned about the edible plants that lived in that environment and how to live with those plants to survive in almost every environment that is inhabitable. But it was primarily our cumulative knowledge, passed down intergenerationally, that made long-term survival possible. It’s what I like to call our collective human heritage.

When I was growing up as a Seneca in the traditional Seneca community, I was always struck by something about the Senecas and the Iroquois. They’re what you might think of as practical. You talk to them about something, and, if they can’t actually see it, put their finger on it and touch it—and if you ask them to have faith in it and believe in it—they won’t. The old ones certainly didn’t. Pre-Christian Native American thought did not require you to have faith. In fact, it discouraged it.

Native American pragmatism is a way to thinking about the world that demands that the thinker look at the outcomes. The great quotes from Native American people are statements such as, “Let us look forward to what we do today and how it benefits the coming generations, seven generations in the future.” It has a requirement that you look far into the future and ask, “What are the results going to be of what you are doing today?” That way of thinking used to astonish the British who came to meeting after meeting with the Iroquois, where the Iroquois kept asking them to think, “What is this going to do in the future?” The British: Think? The future?

When all those people arrived in all those ecosystems, their problem was: How do I adapt to this place? What is this place? They came to deserts—nothing there, a barren spot. Some went to places that are dark half the year. Some went to places covered with water and ice. Others went to places so dense with foliage that you can’t see five feet. They had come up with a culture that not only enabled them to survive, but made them thrive. That is the marvelous capacity of our species to survive.

The Indians of the Americas built civilization after civilization. They built elegant irrigation complexes. They put together more food plants, more cultivars than all the rest of the world put together. For centuries and centuries, they fought against climate changes in place after place, and in culture after culture. Dozens of them left behind a record of that. Some of them left behind some of the most sophisticated alternatives for how to live in a place. Yet time and time in place after place, they lost the battle. They lost the war over climate changes.

When it comes our turn, when the climate change comes back, here’s my question: Where’s our relationship to those plants? Where are those plants? Everything that we learned in this one interglacial period when things got warm gave us a chance to fix things up all over the world. Yet all the survival techniques we learned about our relations to cultivars and food plants stands in peril at this hour. Our relationship to wild plants stands in peril. The big human relationship to our cultural heritage is on the verge of extinction and we need to change that. There are still enough plants left, but we don’t’ have enough humans in enough relationships with enough plants to ensure that, when climate change happens—not if it happens—we’ll have the knowledge to go on from there.

Humans will survive the next climate change. Trust me. Humans will survive anything. Not necessarily corporations, though. Monsanto won’t survive it. But right now Monsanto produces almost all of our food seed products and that’s the problem. We have to move away from that. What’s occurring in today’s world is a revolution in thought. It’s about how human beings come into relationship with nature so that people understand how nature can be hard on people, and understand a bit about how it works, yet not see nature as the enemy. The sophisticated practical knowledge of indigenous peoples holds critical keys to making that transformation.

© John Mohawk. Reprinted from Bioneers Letter, Spring/Summer 2005, Vol. VIII, No. 1, page 18-19.

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Why Art? by Aymara Falcón, Art Advisor, NGO Comunidad Tawantinsuyu

The most impressive thing I discovered when I began as a sculptor was the number of personalities that came out of my hands. Standing in front of that “resemblance” staring directly into his eyes trying to find an answer in vain, “Who are you? Where have I brought you from? Where and since when have you and I been looking at each other this way?” The extreme stillness of the clay was the answer. Finally, I understood that the Memory of Father Time remains inside of us waiting to be brought to light.

The archaic cultures “lived” art as a simple every day expression always well disposed to express the desire, the necessity, the gratitude, or the mere domestic servility. They were not so eloquent or demanding. They flowed according to the needs of the moment, not looking for future or glory and, nevertheless, they remained as cause of the irrelevant humility. Somewhere, the Venus of Valdivia is testifying her time. Somewhere else, rest stiff bowls bearing ancient flavors. Here the fumes of ancient Sacred Pipes haunt. From the stillness of age, mysterious looks protect our footprints not to be lost along the Path.

When art loses its cloak and sword, it becomes what it really is, Munay (feeling). And in that condition, acquire the necessary Power to cut, bind, and recover Memory. Ukhu Pacha (generations that trod this Earth), where the Mallkis are (our Ancestors, seed, and procreation), Kay Pacha (this Time), and Hanan Pacha (the Future Time) weave and unweave for us to get where we have to arrive. And it is from that visceral convincement, that I have become an accomplice attempting to help my People in the long process of Remembering.

I see with pleasure how women begin to talk about what was narrated to them or about what was not narrated but still remains in the ancestral collective female memory. The doll with two heads that I have seen, which no doubt resembles the Couple of Ancestral Mothers, that immemorial trace which must be the image that comes to those women from the Yarapa community, so distant from anthropology books or art studies.

One day, a student of our school shaped in clay a burial full of bowls, flowers, and small spheres simulating stones. Surprised, I asked him if that was the way his community adored their dead. He answered smiling, “No teacher, the dead are not buried this way”. Even more surprised, I continued with questions, “Then why did you think the dead would need all these bowls, if they already passed away?” The student started laughing, “When they return, they may feel hungry, so they can find something to eat!”. Our student is 10 years old. He hardly knows how to write his name. Who, if it is not Memory, is the one that works silently until it is expressed?

In the Occidental world, people merely whisper about our Sacred Plants. The stigma that persecutes them has turned them into something “forbidden”. Nevertheless, in the Jungle, the profane has a place at the Wiseman’s table. It takes its place again and, in the word of the most Innocent people, it returns to its Sacredness to be renamed as Medicine.

Why Art—because art and health are Twins. It is through Art that we attempt to heal, leaving beauty where there was pain. While Ukhu Pacha shows us the Path, Hanan Pacha illuminates it for the Kay Pacha’s harmony. There is no Memory that can resist any Art expression. That our women sing, dance, draw, and write because they are the ones carrying the flame of Transmission. Let us return to the Mamamanta* or to the Matria of the Mexican poet José Tlatlepas. A Mamamanta keeping the memory and enlightenment for the children of each Community to which we arrive, so they can remember, heal and share all they have received with many more children. A Mamamanta governed by artists and not by politicians. This is the commitment I have acquired with my Ancestors.

*Mamamanta: From the mother and for the mother—reminds us about the spiral of life in the Andes. That is the mythical millenary and the contemporary contribution of Maria Estelina Quinatoa, Curator of the Archaeological Reserve of the Central Bank of Ecuador, born in Otavalo.

I am very grateful to my Sisters Katia Gibaja and Maria Estelina Quinatoa for their contributions in the Quechua language. It is necessary that we re-encounter with our origin languages because they are the only keys to have access to the profound subtleness of our Knowledge.

[Click Here for Spanish Version]

One Heart, Many Rhythms is a non-profit organization that works in partnership with first peoples of the world to conserve and express the traditions of their culture. We believe all peoples of the world and their way of life are precious and worthy of preserving, and that all ways of knowing add value to our well-being. ©2004-2007 One Heart Many Rhythms